Shaking it up on Sado

EXCERPT:

The sound of drumming was everywhere at EC. Most performances centered on percussion, and eight of the 16 workshops taught either how to play or dance to some of Japan’s regional drumming styles, often finishing in the streets, matsuri-style. And the most prominent items for sale in the festival’s flea market? You guessed it: all manner of items to be struck, slapped or shaken.

Drumbeats also resonated throughout the day at Ogi’s Kisaki Shrine, home to most of the free “fringe” performances, including those by a flamenco guitarist, belly dancers, Hawaiian hula dancers and a “didgeree-duo.” The shrine’s woodwork looked old and weathered, like it would crumble if you touched it, but that didn’t deter numerous taiko groups from rattling its timbers.

Read the full review at The Japan Times Online.

Shaking it up on Sado | The Japan Times Online

About Jason Andrew Jenkins

In 1997, Jason left his home near Atlanta for a year abroad. He liked it so much that he never went back. After three years in Taiwan and 13 years in Japan, he and his wife quit their desk jobs in Tokyo, pulled their kids out of local schools and traveled as a family for six years, living in Malaysia, Spain, and Mexico along the way. They returned to Japan — Osaka this time — in the summer of 2019. Jason loves Google Maps, carry-on luggage, and most dishes registering on the Scoville scale.
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