Hideki Kuwajima: Vertical / Horizontal


Science tells us that humans are naturally drawn to the symmetrical. Nearly everything — from architecture to dance to sex partners — is seen through the lens of symmetry. But what about art? Mathematician George David Birkhoff thought so in a theory stated the more complex art became, the less symmetrical it should be so as to stimulate to our aesthetic sensibilities.

Obviously, Birkhoff lived long before the era of psychedelia and CG. Complexity mirrored against itself can reign in chaos in ways that makes the discordant divine. The large images in Hideki Kuwajima’s “Vertical/Horizontal” do just that. Showing at Radi-um (formerly Roentgenwerke) in Tokyo’s Bakuro-cho till May 31, Kuwajima’s prints turn random glass objects into unspeakably ornate patterns of line and tonal gradation.

Read the full review at The Japan Times Online.

"Hideki Kuwajima: Vertical:Horizontal" | The Japan Times Online

About Jason Andrew Jenkins

In 1997, Jason left his home near Atlanta for a year abroad. He liked it so much that he never went back. After three years in Taiwan and 13 years in Japan, he and his wife quit their desk jobs in Tokyo, pulled their kids out of local schools and traveled as a family for six years, living in Malaysia, Spain, and Mexico along the way. They returned to Japan — Osaka this time — in the summer of 2019. Jason loves Google Maps, carry-on luggage, and most dishes registering on the Scoville scale.

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